Tuesday poem: Tackling the day

Some time ago my then writing group dished out half a dozen words at the end of our meeting and we agreed we'd stud a poem with each one - raisins in a pud of our own making. It's the poem I'm posting today, and it feels appropriate as a what... galviniser? - joke? - aspiration? as I stumble to the end of 2010, still ploughing through a ridiculous amount of workatwork, my faith eye on that checkered flag, which should be waving at me on the 17th.

(I'm not sure the compulsory words are readily identifiable, but there are no prizes for correctly guessing one of them.)

Tackling the day

Look at you

Slinking along

Grumbling across the day

With your nose in the falling dark

Before your last foot's

Left home in the morning

By God

Not me mate

There'll be butter and jam

On my bread

At sun up.

I'll devastate crust and crumbs

With a sure jaw

And flashing incisors

I'll take time to kick the rubbish

Where it belongs

Bullseye

I'll spread my shoulders

And pump blood

And draw breath

Like a gale

There'll be no slither

No slits for eyes

You just watch me

I'll show you

I'll show you foreshore.

On Feet

Sometimes words turn themselves over and peer at you differently. Same word, new relationship. Footloose did that to me recently. Me who hobbles about for the first circuitous part of my day - bed to bathroom to wardrobe to radio to jug for cuppa number two; 50, 60, 100 yards of round-and-about and at some point, somewhere in there, I'm limber-ish again. Too many hours with my knees under the desk, and back it comes, this gait that suggests someone whose body's getting old (how can this be?) Perhaps no surprise then that 'footloose' surfaced, and asked for a second glance. What is it - this anatomical freedom that goes with fancy-free? Springing to the surface - a memory of an unhuggable pretty-faced doll, small enough to hold in one hand, with every joint rotatable. (But be careful pam - she'll pinch you.) Surely footloose with its splatty - even promiscuous connotations - would be a tricky way to navigate the world. What I do like, thank you english, is the notion that feet have their own intentions.

Today I've flung both arms sideways and discovered some space around me. I've gone visiting blogs - and with days - sometime weeks of absence, have felt neither footloose not footsure - more someone whose ankles are snapped shut into rather cumbersome boots. Do I respond, all this time after the fresh delivery of these posts, or would I be leaving a clumsy, muddy footprint. Then I remember the magic of this zone: that I can dance or clobber in, leave no trace, but drink what I choose to, because the offering is there. (Thank you!) And I can make my own offering. Light feet, stiff feet, perhaps which is no matter, I can go out and walk the blogosphere.

Hummingbirds

There seems to be much talk about the brain these days. It's like deep science and the foreign language that describes it are being demystified so we can all get a reasonably accessible picture of what happens up there, if we so choose. As someone who will be hovering in mid-50's for not much longer, and whose memory keeps dropping small things (not pennies), there's some comfort in learning that our 'plastic' brains keep doing the business of spurting new connections and synapsing (new word for the people's neuro-dictionary), and is not a growing pool of dead and dying cells.

I haven't retained much detail of what I've read or heard about brains in my own lively jungle, but one piece of the information that has gone in keeps reverberating. Apparently the part of the brain we use when we talk about ourselves autobiographically, ie tell stories about our own experience, is that same part that's activated when we improvise music. I find this fascinating. All sorts of things spring to mind (thank you brain). One is the sheer beauty of the notion that as I recount my own story, I sing a song. Not necessarily a melodious or even-tempoed (sp?) song, but one that is spontaneous and creative - in much the way that dreams are.

I love this idea in relation to my work as a counsellor, when I sit with a number of people who are feeling their way into their own story, finding ways to articulate and integrate their own experiences - perhaps (with this in mind) not so much to make sense of them, as make a song of them. It also re-minds me of the unique facility we have as creatures to speak the stuff of our lives. (Elisabeth's rich blog is themed with this idea.) Linking it to improvisation, can we look at recounting our own life tale as an act of creative surrender? Like birds at sun-up perhaps, but with an infinitely variable tune, and the the dubious ability to choose whether we open our throats or swallow our song. (I've enjoyed Marylinn's eloquent exploration of this territory in her last two blogs.)

And finally - away from the metaphor and back to making music, it's good to know that for those times when there are no words, no right person to hear, there's something about the act of humming that's more than just a hum.

Withness

Recently, and a long way from here, (still milking that trip of mine...) a woman I had just met talked to me about her work as a facilitator in conflict resolution and team building in groups. She said something I've known to be true, but I heard it with fresh meaning: people will start to pull together as soon as they see what unites them. It has hung about in my mind. I've been enjoying this idea. Life is continually thrusting me/us into groups and small communities. As I mentally stretch the tarpaulin, plant the tent pegs wider, I start to create a shared space. I am surely then more able to be present and with those I am with - including those I may have otherwise been inclined to distrust or judge. (I can't help contrasting this with my own tendency to navigate my way to those who meet, match or mirror me.) I'm not sure how much sense this carries in writing it, but I tried this recently - envisioned the rim around the edges of a new group I was part of. It was simply an act of the imagination; an intentional decision that was not reordering the way I saw or behaved, but recognising the bigger place. Medic and therapist Naomi Remen talks about 'holding people large.' Perhaps this can also be applied to people in plural. These are small beginnings for me - grains of insight - but I'm wondering: is this the way to inclusive, gritty, meaningful community?

Tuesday poem: Deep Sea Swimming

This is a teetering-on-Tuesday poem. It is in fact Monday evening here in nz, but I want to post this before that whale called work swallows me up. (Starting tonight, but not lasting forever).

Recently Claire beckoned us to the sea, and that trail of thought took me back to this poem which I wrote at 40 - one of the first I ever wrote. I would now describe my immersion differently, but this was how it was then ...

Deep Sea Swimming

I'm out of my depth here

Who would have thought it?

You walk the world for 40 winters

Have children who rise to meet you face to face

You expect by now to stand on sturdy feet

Calves like plaited loaves

Gleaming above the water line

Baskets of fish and tools to catch them

Fair and square on each bent arm

The fanciful high tide of childhood

Going going gone

But no

There's water

underfoot and rising

An ocean tilting

Holding me not quite firm

My basket tumbles

Fish turn and flick

While I, wrinkling

in my shimmery world

Roll on my back

Ease my limbs

With unusual grace

A middle aged mermaid

Out in the depths

Her heart on the horizon

pm

Away and Home

I'm home. I hear the birds in my garden (hello birds), see the line of Mt Cargill through my bedroom window, that pleasing tiny red roof perching on the horizon. An hour ago I unfolded my computer to travel back through blogs of friends, and now, here I am, back in the portal of blogmedium. I left these things behind more than a month ago, and it's comforting to find them again, (although diving back in here has a small touch of the scare and thrill of a cool sea).

Someone said to me: you'll come back changed. I'm not so sure I would say it with such big words, but I can sense that a raft of gifts has come my way. Some of it feels like good food. The flavour still lingers a bit, and now my insides are getting on with absorbing the nutrients. Other aspects are still bright in my mind, and I'm tempted to look for shields and mirrors, to keep them focused and sharp for as long as I can. I am waking early - is this a gift too? It could have something to do with the fast moving ground I've landed on at work, but I prefer to think that part of me, beyond my say so, is still away, and refusing to surrender to these down under diurnal rhythms.

Anyway, the up-side is that I have time to savour the France and Britain that I got to meet. There's something about being here in Aotearoa NZ - beautiful, spiritual land that it is, that still leaves me aching for the structures - the footprint - of my early early line of forebears. And I found them. Not the bloodlines so much, but the cultural cradle. Drawings etched 17000 years ago onto the limestone cave walls in the Dordogne, France; ancient monastries and churches (I added my song into the stones of one, built 900 years ago.) Then there was the Bronte parsonage - a stones throw from my friend's home. I looked onto it from my small upstairs bedroom window, and this neighbouring family came alive as I read my book - an account of their lives in beautifully wrought fiction: A Taste of Sorrow. (Thanks Mary M for this recommendation on your blog.) Oh, and much more.

My hands went to work there. It didn't seem enough to see and to smell. I wanted to touch, so I did: stone after stone. At other times I put the soles of my feet to work. Stripped off, soft, and so short-lived in the scheme of things, they did their thing. Padded out onto those stubborn remnants that speak our history, and laid down another invisible layer all of their own.

Another quote I'm liking...

"Until we stop ourselves or, more often, have been stopped, we hope to put certain of life's events 'behind us' and get on with our living. After we stop we see that certain of life's issues will be with us for as long as we live. We will pass through them again and again, each time with a new story, each time with a greater understanding, until they become indistinguishable from our blessings and our wisdom. It's the way life teaches us to live."

Rachel Naomi Remen